Dawood Hilmandi’s ‘Paikar’ Selected as Netherlands’ Oscar Entry

The Netherlands Filmfonds says “Paikar”, by Afghan filmmaker Dawood Hilmandi, has been selected as the Netherlands’ official submission for the Academy Awards.

The Netherlands Filmfonds says “Paikar”, by Afghan filmmaker Dawood Hilmandi, has been selected as the Netherlands’ official submission for the Academy Awards.
Hilmandi confirmed the news to Afghanistan International on Tuesday, saying the film is in Persian, was made in Afghanistan and was directed by an Afghan filmmaker.
He said the film was selected as the Netherlands’ official Oscar entry following a rigorous selection and review process among Dutch films.
Paikar previously won three awards at the 2025 International Documentary Film Festival Amsterdam, known as IDFA, and also received an award at Hot Docs.
The Oscar shortlists are due to be announced on December 15 this year, with nominations to follow on January 21. The Academy Awards ceremony will be held on March 14 2027, when the winners will be announced.
Paikar is a 97-minute documentary in which Hilmandi explores his family history, migration, separation from his homeland and, in particular, his relationship with his elderly and strict father. After years away, he returns to Iran and Afghanistan and tries to rebuild his relationship with his father. The film is in Persian and Dutch.
The film achieved notable success at IDFA in 2025, winning three awards: Best First Feature, the FIPRESCI Prize and a Special Mention in the Best Dutch Film category.
IDFA jurors described the film as a courageous work exploring the complexity of a family shaped by generations of war and displacement. They also described the father-son relationship at its centre as a poetic story that transcends borders and traditions.
One of the most compelling aspects of Paikar is that it is not simply a film about Afghanistan or migration. It is a family story that uses the relationship between a father and son to explore broader themes including war, exile, identity, belonging, home and freedom.
Who Is Dawood Hilmandi?
Dawood Hilmandi is an Afghan filmmaker, photographer and researcher who has spent parts of his life in Afghanistan, Iran and the Netherlands. His work explores themes including migration, identity, family, borders and the idea of “home”.
He graduated from the Netherlands Film Academy in Amsterdam and is the brother of Afghan filmmaker Aboozar Amini.
“A Journey Into Zero Space”
One of Hilmandi’s earlier notable works is the 2016 documentary “A Journey into Zero Space”. The film does not fit neatly into a single genre and combines family footage, archival material, handheld filming and elements of video art.
Some critics have described Hilmandi as a filmmaker with a kind of “patchwork identity” — part Afghan, part Iranian and part Dutch — and say this fragmented sense of identity is also reflected in the themes of his films.
Films About the Afghan Experience
In 2025, the 97-minute documentary Paikar became a major milestone in Hilmandi’s career. The film follows several generations of his family and explores migration, separation from homeland and the search for belonging, security and freedom. At the heart of the story is Hilmandi’s relationship with his elderly and strict father.
Some observers say Hilmandi is less interested in making films about Afghanistan itself than in exploring the experience of being Afghan while living between different homes and different worlds.
In “A Journey Into Zero Space”, fragmented identity and the search for home are central themes. In Paikar, that search is expressed through the relationship between father and son and the history of one family. The success of Paikar can therefore be seen as the continuation of an artistic trajectory rather than a sudden breakthrough.
Afghanistan’s History at the Oscars
Afghanistan began officially submitting films for the Academy Award for Best International Feature Film in 2002, following the fall of the Taliban’s first government.
Its first submission was “FireDancer”, directed by Jawed Wassel. It was followed by films including Siddiq Barmak’s “Osama”, Atiq Rahimi’s “Earth and Ashes”, Barmak’s “Opium War”, Jamshid Mahmoudi’s “A Few Cubic Metres of Love”, Roya Sadat’s “A Letter to the President” and Sahraa Karimi’s “Hava, Maryam, Ayesha”.
Despite submitting 14 films by 2019, no film representing Afghanistan has reached the final list of Oscar nominees. Some entries were also withdrawn or disqualified before the final stages of the competition.
Afghan stories have nevertheless received recognition at the Oscars outside the country’s official submissions. “The Breadwinner”, about an Afghan girl, and “Flee” were both nominated for Academy Awards, although neither was Afghanistan’s official entry.